The child’s Mozart@sotto voce in the night
Awarded the rating ‚valuable‘

(…) With impressive image compositions from three perspectives
the performance interprets the three different selves of the child prodigy Mozart,
shows his ambivalent relationship with his father, his search for love and recognition,
his dealings with his own genius, his emotional contribution to his own music. (…)

(…) She has highly creative and imaginative professionalism
and is a top talent as both a director and an author
for the German music theater and German film. (…)

(…) it is the young director Nina Kupczyk,
who I consider to be an extremely versatile artist,
not only in musical theater, but also in film and as a poet.
She is constantly looking to expand existing forms of theater,
a search that has to do with her diverse talents. (…)

(…) It’s nice that there are artists like you who uncompromisingly
engage with young audiences and move things forward in such a consistent way.
Your contribution to the Philharmonie’s programming was essential
and has also given a dimension to the orchestral programs,
that we haven’t had yet. (…)

(…) You can unleash theater. (…)

(…) You have to call that a hammer:
The premiere of Nina Kupczyk’s play “Amadeus Superstar”.
A brilliant imposition in the best sense of intelligent contemporaneity
and critical participation with which the author and director
her great ensemble and the audience challenges.
Smart, sensual theater by actors. (…)

(…) I am delighted – and I wish this text,
There was a lot of interest in this production and the great ensemble
on this special theater product “Amadeus Superstar” (…)

(…) Congratulations.
We really liked your direction.
Unusual ideas, precise actors
and a convincing overall concept. (…)

(…) In my 15 years of university work in Hamburg
Professorship/Chair of Composite Theory HfMT (Ligetin successor)
I met Nina Kupczyk in the music theater directing course,
one of the most talented and independent young directors
and authors whose journey I have followed in amazement ever since.
She has a variety of original, not averse to new media,
and yet still comes from the music-immanent substance
and created stage works that convey human depth. (…)