{"id":10,"date":"2023-12-30T19:02:13","date_gmt":"2023-12-30T18:02:13","guid":{"rendered":"https:\/\/ninakupczyk.com\/en\/?page_id=10"},"modified":"2026-01-12T20:51:34","modified_gmt":"2026-01-12T19:51:34","slug":"home","status":"publish","type":"page","link":"https:\/\/ninakupczyk.com\/en\/","title":{"rendered":"Home"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;STAGE WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747098277{margin-top: 20px !important;border-top-width: 20px !important;padding-top: 20px !important;}&#8220;][vc_column]<div class=\"wpb_content_element  vc_custom_1703277361468\"><style type=\"text\/css\">#ut_header_69d6c98bc16f4 h2.section-title { font-size:45px !important; }<\/style><header id=\"ut_header_69d6c98bc16f4\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-7 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Stage Works.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;45&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;45&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Stage Works.<\/span><\/h2><\/header><\/div><div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_header_69d6c98bc4f41 h2.section-title { font-size:30px !important; }@media (max-width: 767px) {#ut_header_69d6c98bc4f41 h2.section-title { font-size:20px !important; }}<\/style><header id=\"ut_header_69d6c98bc4f41\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Current.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;30&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;30&quot;,&quot;mobile&quot;:&quot;20&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Current.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">\n2026\/27 Guest \/ Special Performances \/ tba.<br \/>\nWei\u00dfe Rose, U. Zimmermann<br \/>\n\u2022<br \/>\n2026 The Adventures Of Limmi<br \/>\nNew Formats<br \/>\n\u2022<br \/>\n2025\/26 Hamel x Transform23<br \/>\nAudio Art Projekt<br \/>\n\u2022<br \/>\n2024\/25 Mainfranken Theater W\u00fcrzburg<br \/>\nWei\u00dfe Rose, U. Zimmermann<\/p>\n<\/div><\/header><\/div><div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_header_69d6c98bc57ac h2.section-title { font-size:30px !important; }@media (max-width: 767px) {#ut_header_69d6c98bc57ac h2.section-title { font-size:20px !important; }}<\/style><header id=\"ut_header_69d6c98bc57ac\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Directed.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;30&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;30&quot;,&quot;mobile&quot;:&quot;20&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Directed.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">2023 Kirill Petrenko I Berliner Philharmoniker<br \/>\nFrancesca di Rimini, P. Tschaikowsky (UA)<br \/>\n\u2022<br \/>\n2022 Neues Theater Halle<br \/>\nAmadeus Superstar, M. van der Rose (UA)<br \/>\n\u2022<br \/>\n2022 Musikverein Wien<br \/>\nDer Freisch\u00fctz, Cl. M. Weber (UA)<br \/>\n\u2022<br \/>\n2021 Festspielhaus St. P\u00f6lten<br \/>\nDon Quixote, R. Strauss (UA)<br \/>\n\u2022<br \/>\n2021 Opernloft Hamburg<br \/>\nButterfly, nach G. Puccini<br \/>\n\u2022<br \/>\n2021 Oksana Lyniv I Berliner Philharmoniker<br \/>\nRenard, I. Strawinsky<br \/>\n\u2022<br \/>\n2020 Oper Halle<br \/>\nDon Giovanni, W.A. Mozart<br \/>\n\u2022<br \/>\n2020 Konzerthaus Wien<br \/>\nDon Giovanni, C. Karacsonyi (UA)<br \/>\n\u2022<br \/>\n2020 Gerhart Hauptmann-Theater G\u00f6rlitz-Zittau<br \/>\nDon Pasquale, G. Donizetti<br \/>\n\u2022<br \/>\n2019 Philharmonie Luxemburg<br \/>\nKalif Storch (UA)<br \/>\nPeer Gynt, nach Grieg (UA)<br \/>\n\u2022<br \/>\n2019 Festspielhaus St. P\u00f6lten<br \/>\nDie K\u00f6nigin der Farben (UA)<br \/>\nDer kleine Nussknacker (UA)<br \/>\n\u2022<br \/>\n2019 Konzerthaus Wien<br \/>\nScheherezade, nach Rimski- Korsakow (UA)<br \/>\n\u2022<br \/>\n2018 Rusalka, A. Dvorak I Theater Hagen<br \/>\n\u2022<br \/>\n2018 Philharmonie Luxemburg<br \/>\nPinocchio, G. Kampe (UA)<br \/>\n\u00dcbung macht den Meister (UA)<br \/>\nStreng geheim (UA)<br \/>\nIch sehe was, was du nicht siehst (UA)<br \/>\n\u2022<br \/>\n2017 Philharmonie Luxemburg<br \/>\nZusammen sind wir stark (UA)<br \/>\nAller Anfang ist schwer (UA)<br \/>\nIn der Kammer der K\u00f6stlichkeiten (UA)<br \/>\nDie Hochzeit im Dschungel (UA)<br \/>\nIm Garten des Regenbogens (UA)<br \/>\n\u2022<br \/>\n2016 Philharmonie Luxemburg<br \/>\nAm Meer des blauen Herrn, J. S. Bach (UA)<br \/>\nDer Nussknacker, P. Tschaikowsky (UA)<br \/>\nIn der H\u00f6hle der Fragen (UA)<br \/>\nAuf dem Dachboden (UA)<br \/>\nBout\u2019chou (UA)<br \/>\nCendrillon (UA)<br \/>\n\u2022<br \/>\n2016 Festival Lucerne<br \/>\nAschenputtel, I. Boumans (SE)<br \/>\n\u2022<br \/>\n2015 Philharmonie Luxemburg<br \/>\nDie Sterntaler (UA)<br \/>\nDer Zauberlehrling, P. Dukas (UA)<br \/>\nVivaldis letzter Tanz, A. Vivaldi (UA)<br \/>\n\u2022<br \/>\n2014 Philharmonie Luxemburg<br \/>\nPeer Gynt 2.0, nach Grieg (UA)<br \/>\n\u2022<br \/>\n2014 Opernloft Hamburg<br \/>\nCosi fan tutte, W.A. Mozart<br \/>\n\u2022<br \/>\n2014 Theater unterm Dach Berlin<br \/>\nAmadeus_total.Kind.de<br \/>\n\u2022<br \/>\n2013 Opera stabile der Staatsoper Hamburg<br \/>\nWas ein Prophet auch k\u00fcnde<br \/>\nVanitas_ Everyman, S. Sciarrino<br \/>\n\u2022<br \/>\n2012 Oper Kiel<br \/>\nLa figlia del Mago, L. Ferrero, Kinderoper (DE)<br \/>\n\u2022<br \/>\n2010 Opera stabile der Staatsoper Hamburg<br \/>\nDer Kaiser von Atlantis, V. Ullmann<br \/>\n\u2022<br \/>\n2009 Experimentalfilm. Deutschland, Kinostart<br \/>\nDes Kindes Mozart@sotto voce in der Nacht<br \/>\n\u2022<br \/>\n2009 Deutsches Schauspielhaus Hamburg<br \/>\nDes Kindes Mozart<br \/>\n\u2022<br \/>\n2006 Radio Bremen<br \/>\nDes Kindes Mozart (UA)<\/p>\n<\/div><\/header><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;AUTHOR WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747379693{margin-top: 5px !important;border-top-width: 5px !important;padding-top: 5px !important;}&#8220;][vc_column]<div class=\"wpb_content_element  vc_custom_1703276796583\"><style type=\"text\/css\">#ut_header_69d6c98bc5f7e h2.section-title { font-size:45px !important; }<\/style><header id=\"ut_header_69d6c98bc5f7e\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-7 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Author Works.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;45&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;45&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Author Works.<\/span><\/h2><\/header><\/div><div class=\"wpb_content_element  vc_custom_1703277811761\"><style type=\"text\/css\">#ut_header_69d6c98bc6801 h2.section-title { font-size:30px !important; }@media (max-width: 767px) {#ut_header_69d6c98bc6801 h2.section-title { font-size:20px !important; }}<\/style><header id=\"ut_header_69d6c98bc6801\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Staged.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;30&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;30&quot;,&quot;mobile&quot;:&quot;20&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Staged.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Berliner Philharmoniker \/\/ Francesca di Rimini<br \/>\nNeues Theater Halle \/\/ Amadeus Superstar<br \/>\nMusikverein Wien \/\/ Der Freisch\u00fctz<br \/>\nKonzerthaus Wien \/\/ Scheherezade<br \/>\nFestspielhaus St. P\u00f6lten \/\/ Don Quixote<br \/>\nDie K\u00f6nigin der Farben I Der kleine Nussknacker<br \/>\nKonzerthaus Wien \/\/ Don Giovanni<br \/>\nFestival Lucerne \/\/ Aschenputtel<br \/>\nPhilharmonie Luxemburg \/\/ Kalif Storch<br \/>\nPeer Gynt I Peer Gynt 2,0 | Pinocchio<br \/>\nDer Nussknacker | Vivaldis letzter Tanz<br \/>\nDer Zauberlehrling I Die Sterntaler<br \/>\n\u00dcbung macht den Meister I Streng geheim<br \/>\nIch sehe was, was du nicht siehst I Auf dem Dachboden<br \/>\nZusammen sind wir stark | Am Meer des blauen Herrn<br \/>\nAller Anfang ist schwer I In der H\u00f6hle der Fragen<br \/>\nDie Hochzeit im Dschungel | Im Garten des Regenbogens<br \/>\nIn der Kammer der K\u00f6stlichkeiten | Bout\u2019chou I Cendrillon<br \/>\nTheater unterm Dach Berlin \/\/ Amadeus_total.Kind.de<br \/>\nOper Kiel \/\/ La figlia del Mago, L. Ferrero &#8211; Textfassung<br \/>\nDes Kindes Mozart@sotto voce in der Nacht I Experimentalfilm<br \/>\nDes Kindes Mozart I Deutsches Schauspielhaus Hamburg<br \/>\nDes Kindes Mozart I Radio Bremen<\/p>\n<\/div><\/header><\/div><div class=\"wpb_content_element  vc_custom_1703969848526\"><style type=\"text\/css\">#ut_header_69d6c98bc7065 h2.section-title { font-size:30px !important; }@media (max-width: 767px) {#ut_header_69d6c98bc7065 h2.section-title { font-size:20px !important; }}<\/style><header id=\"ut_header_69d6c98bc7065\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Published.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;30&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;30&quot;,&quot;mobile&quot;:&quot;20&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Published.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Die Kunst der Empathie.<br \/>\nEine unendliche Geschichte von Regie, Bindung und Fu\u0308hrungsstil<br \/>\nAkademiker Verlag, 2015.<\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Liebe und andere Ungereimtheiten,<br \/>\nBegegnungen, Sehnsucht<br \/>\nAnthologien des Athena-Verlags, 2016-2021<\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Der Lehrer und das Wunderkind,<br \/>\n1. Auflage Frankfurt, 3. Auflage 2015, BOD<\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Aus der verbotenen Stadt,<br \/>\nLyrik-und Prosaband,<br \/>\nAthena-Verlag, 2005<\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">Anthologie junger Menschen,<br \/>\nWorthandel, 2005<\/p>\n<p>\n<\/div><\/header><\/div>[\/vc_column][\/vc_row][vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;COMPOSER WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747529723{margin-top: 5px !important;border-top-width: 5px !important;padding-top: 5px !important;}&#8220;][vc_column]<div class=\"wpb_content_element  vc_custom_1737747559852\"><style type=\"text\/css\">#ut_header_69d6c98bc77fd h2.section-title { font-size:45px !important; }<\/style><header id=\"ut_header_69d6c98bc77fd\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-7 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Composer Works.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;45&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;45&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Composer Works.<\/span><\/h2><\/header><\/div><div class=\"wpb_content_element  vc_custom_1737747636373\"><style type=\"text\/css\">#ut_header_69d6c98bc8041 h2.section-title { font-size:30px !important; }@media (max-width: 767px) {#ut_header_69d6c98bc8041 h2.section-title { font-size:20px !important; }}<\/style><header id=\"ut_header_69d6c98bc8041\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Released.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;30&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;30&quot;,&quot;mobile&quot;:&quot;20&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Released.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 15px; font-size: 14px;\">\nDecadence \/\/ Transform23<br \/>\n4 Track Album \/ EP<\/p>\n<\/div><\/header><\/div>[\/vc_column][\/vc_row][vc_row css=&#8220;.vc_custom_1703192684772{margin-bottom: 0px !important;padding-top: 60px !important;padding-bottom: 40px !important;background-image: url(https:\/\/s3.eu-central-1.amazonaws.com\/unitedthemes-xml\/demo_21\/2016\/07\/cubes.png?id=617) !important;background-position: 0 0 !important;background-repeat: repeat !important;}&#8220;][vc_column]<div id=\"qtSliderOuter69d6c98bc85dc\" class=\"wpb_content_element \"> <style type=\"text\/css\">@media (min-width: 1025px) {#qtSliderOuter69d6c98bc85dc .owl-carousel {padding-left: 80px;padding-right: 80px;}#qtSliderOuter69d6c98bc85dc .bkly-testimonials-style2 {padding: 0 80px;} }#qtSliderOuter69d6c98bc85dc .owl-dots { text-align: center } <\/style><div  class=\"ut-bkly-qt-rotator ut-bkly-text-rotator ut-bklyn-qt-rotator-style-2  ut-bklyn-qt-rotator-style-2-align-center\"><div id=\"qtSlider_69d6c98bc85db\" class=\"owl-carousel\" data-settings=\"{&quot;items&quot;:1,&quot;smartSpeed&quot;:600,&quot;lazyLoad&quot;:true,&quot;autoplay&quot;:true,&quot;autoplayTimeout&quot;:&quot;7000&quot;,&quot;loop&quot;:true,&quot;nav&quot;:false,&quot;dots&quot;:true,&quot;animateIn&quot;:&quot;fadeIn&quot;,&quot;animateOut&quot;:&quot;fadeOut&quot;}\"><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p>The child&#8217;s Mozart@sotto voce in the night<br \/>\nAwarded the rating &#8218;valuable&#8216;<\/p>\n<p>(&#8230;) With impressive image compositions from three perspectives<br \/>\nthe performance interprets the three different selves of the child prodigy Mozart,<br \/>\nshows his ambivalent relationship with his father, his search for love and recognition,<br \/>\nhis dealings with his own genius, his emotional contribution to his own music. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Jury statement from the German Film and Media Assessment \/ FBW<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>(&#8230;) Overall, the performances of \u201cWeisse Rose\u201d were very successful,<br \/>\nwhich I am very happy about. Your work also has a lasting,<br \/>\nleave an excellent impression and I am especially grateful for yours<br \/>\ncollaboration and interpretation of the work at our company is very grateful. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Georg Rootering \/ Artistic Director Mainfranken Theater W\u00fcrzburg<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>(&#8230;) She has highly creative and imaginative professionalism<br \/>\nand is a top talent as both a director and an author<br \/>\nfor the German music theater and German film. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Prof. Klaus Bernbacher \/ German Music Council<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/>(&#8230;) it is the young director Nina Kupczyk,<br \/>\nwho I consider to be an extremely versatile artist,<br \/>\nnot only in musical theater, but also in film and as a poet.<br \/>\nShe is constantly looking to expand existing forms of theater,<br \/>\na search that has to do with her diverse talents. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Andreas Homoki \/ Zurich Opera House<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/>(&#8230;) It&#8217;s nice that there are artists like you who uncompromisingly<br \/>\nengage with young audiences and move things forward in such a consistent way.<br \/>\nYour contribution to the Philharmonie&#8217;s programming was essential<br \/>\nand has also given a dimension to the orchestral programs,<br \/>\nthat we haven&#8217;t had yet. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Pascal Sticklies \/ Philharmonie Luxembourg<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>(&#8230;) You can unleash theater. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Peter Konwitschny \/ German opera and theatre director legend<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p>(&#8230;) You have to call that a hammer:<br \/>\nThe premiere of Nina Kupczyk&#8217;s play \u201cAmadeus Superstar\u201d.<br \/>\nA brilliant imposition in the best sense of intelligent contemporaneity<br \/>\nand critical participation with which the author and director<br \/>\nher great ensemble and the audience challenges.<br \/>\nSmart, sensual theater by actors. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Andreas Montag \/ Mitteldeutsche Zeitung - Newspaper<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>(&#8230;) I am delighted &#8211; and I wish this text,<br \/>\nThere was a lot of interest in this production and the great ensemble<br \/>\non this special theater product \u201cAmadeus Superstar\u201d (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Matthias Brenner \/ Intendant Bu\u0308hnen-Halle<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p><br class=\"\u201cclear\u201d\" \/><br class=\"\u201cclear\u201d\" \/>(&#8230;) Congratulations.<br \/>\nWe really liked your direction.<br \/>\nUnusual ideas, precise actors<br \/>\nand a convincing overall concept. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Rusch-Stiftung \/ Foundation<\/h3><\/div><\/div><\/div><\/div><\/div><div class=\"ut-bkly-qt-slide\"><div class=\"bkly-testimonials-style2\"><div class=\"bklyn-testimonials-quote\"><p>(&#8230;) In my 15 years of university work in Hamburg<br \/>\nProfessorship\/Chair of Composite Theory HfMT (Ligetin successor)<br \/>\nI met Nina Kupczyk in the music theater directing course,<br \/>\none of the most talented and independent young directors<br \/>\nand authors whose journey I have followed in amazement ever since.<br \/>\nShe has a variety of original, not averse to new media,<br \/>\nand yet still comes from the music-immanent substance<br \/>\nand created stage works that convey human depth. (&#8230;)<\/p>\n<div class=\"bklyn-about-testimonials-author\"><div class=\"bklyn-testimonials-author-wrap\"><h3 class=\"bklyn-testimonials-author\">Prof. Dr. h. c. Peter Michael Hamel \/ Former music director of the Bavarian Academy of Fine Arts in Munich<\/h3><\/div><\/div><\/div><\/div><\/div><\/div><a href=\"#\" data-for=\"qtSlider_69d6c98bc85db\" class=\"ut-prev-gallery-slide\"><i class=\"Bklyn-Core-Left-2\"><\/i><\/a><a href=\"#\" data-for=\"qtSlider_69d6c98bc85db\" class=\"ut-next-gallery-slide\"><i class=\"Bklyn-Core-Right-2\"><\/i><\/a><\/div><\/div>[\/vc_column][\/vc_row][vc_row el_name=&#8220;CONTACT&#8220; bklyn_section_anchor_id=&#8220;CONTACT&#8220; css=&#8220;.vc_custom_1701761880382{margin-top: 50px !important;margin-bottom: 50px !important;border-bottom-width: 50px !important;padding-bottom: 50px !important;}&#8220;][vc_column]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_header_69d6c98bc8a64 h2.section-title { font-size:40px !important; }<\/style><header id=\"ut_header_69d6c98bc8a64\" class=\"section-header  ut-no-title-linebreak-mobile pt-style-2 header-center header-tablet-center header-mobile-center\"><h2 data-title=\"Contact.\"  data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;global&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;40&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;base-letter-spacing&quot;:&quot;global&quot;}\" class=\"section-title  \"><span>Contact.<\/span><\/h2><div data-delay=\"0\" class=\"lead \"><\/p>\n<p style=\"line-height: 20px; font-size: 18px;\">Office Fon: +49 (0)30 23 53 50 60<br \/>\nOffice Fax: +49 (0)30 23 53 50 66<br \/>\neMail &#8211; office[ at ]ninakupczyk.com<\/p>\n<\/div><\/header><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;STAGE WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747098277{margin-top: 20px !important;border-top-width: 20px !important;padding-top: 20px !important;}&#8220;][vc_column][\/vc_column][\/vc_row][vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;AUTHOR WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747379693{margin-top: 5px !important;border-top-width: 5px !important;padding-top: 5px !important;}&#8220;][vc_column][\/vc_column][\/vc_row][vc_row full_width=&#8220;&#8220; content_placement=&#8220;middle&#8220; el_name=&#8220;COMPOSER WORKS&#8220; bklyn_section_anchor_id=&#8220;WORKS&#8220; css=&#8220;.vc_custom_1737747529723{margin-top: 5px !important;border-top-width: 5px !important;padding-top: 5px !important;}&#8220;][vc_column][\/vc_column][\/vc_row][vc_row css=&#8220;.vc_custom_1703192684772{margin-bottom: 0px !important;padding-top: 60px !important;padding-bottom: 40px !important;background-image: url(https:\/\/s3.eu-central-1.amazonaws.com\/unitedthemes-xml\/demo_21\/2016\/07\/cubes.png?id=617) !important;background-position: 0 0 !important;background-repeat: repeat !important;}&#8220;][vc_column][\/vc_column][\/vc_row][vc_row el_name=&#8220;CONTACT&#8220; bklyn_section_anchor_id=&#8220;CONTACT&#8220; css=&#8220;.vc_custom_1701761880382{margin-top: 50px [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":17,"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":62,"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/pages\/10\/revisions\/62"}],"wp:attachment":[{"href":"https:\/\/ninakupczyk.com\/en\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}